VOUET, Simon

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting


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VOUET, Simon January  qwr oil


January qwr
Painting ID::  9699
January qwr
Oil on wood, 27 x 37 cm Museum of Fine Arts, Budapest
Oil_on_wood,_27_x_37_cm Museum_of_Fine_Arts,_Budapest
   
   
     

VOUET, Simon January (detail) dry oil


January (detail) dry
Painting ID::  9700
January (detail) dry
Oil on wood Museum of Fine Arts, Budapest
Oil_on_wood Museum_of_Fine_Arts,_Budapest
   
   
     

VOUET, Simon Parnassus or Apollo and the Muses (detail) oil


Parnassus or Apollo and the Muses (detail)
Painting ID::  29648
Parnassus or Apollo and the Muses (detail)
c. 1640 Oil on panel
c._1640 Oil_on_panel
   
   
     

VOUET, Simon Parnassus or Apollo and the Muses (detail) oil


Parnassus or Apollo and the Muses (detail)
Painting ID::  29650
Parnassus or Apollo and the Muses (detail)
c. 1640 Oil on panel
c._1640 Oil_on_panel
   
   
     

VOUET, Simon The Last Supper oil


The Last Supper
Painting ID::  29652
The Last Supper
1615-20 Oil on canvas
1615-20 Oil_on_canvas
   
   
     

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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